Na'ama Goldman sprang to fame when she stepped in at the last moment to do the title role in Carmen at the Masada Opera Festival 2012. Her success led to celebrated debuts at The Israeli Opera, such as Charlotte in Werther, Idamante in Idomeneo, the title role in La Cenerentola, Donna Elvira in Don Giovanni, Rosina in The barber of Seville, Dorabella in Così fan tutte, Cherubino in The marriage of Figaro, Fenena in Nabucco, and a return as Carmen in season 2018/19.
A dynamic and versatile artist, Na'ama regularly interprets rich selection of roles across the globe. International highlights include Carmen at The Grange Festival, Ópera de Tenerife, and touring Italy with AsLiCo, as well as the title role of Salomé (A. Mariotte) at Wexford Festival Opera, Rosina in The barber of Sevillle at Teatro Lirico di Cagliari, Cornelia in Julius Caesar at Shanghai Baroque Festival, Dorabella in Così fan tutte at Ópera de Tenerife, Marchesa Melibea in Il viaggio a Reims at Rossini Opera Festival in Pesaro, Fenena in Nabucco and Siébel in Faust at Opéra Royal de Wallonie, and others.
In concert, Na'ama performed the cantata Arianna a Naxos by Haydn at Wiener Konzerthaus, Stabat Mater by Rossini in Teatro Lirico Cagliari, Missa Solemnis by Beethoven and the title role in Solomon by Händel with the Jerusalem Symphony Orchestra, a vocal chamber music concert at Deutsche Oper Berlin, Symphony no. 9 by Beethoven with Taiwan Philharmonic, and many more.
Na'ama also performed numerous recitals and gala concerts in Italy, Spain, Germany, Switzerland, Austria, Russia, Israel, South Korea, China, United Kingdom, and Australia.
As a graduate of the Meitar Opera Studio of The Israeli Opera, she performed a vast variety of roles such as Charlotte in Werther, the title role in La Cenerentola, Hänsel in Hänsel und Gretel, Prince Orlofsky in Die Fledermaus, Zweite Dame in Die Zauberflöte, and many others.
“Na’ama Goldman held the audience in the palm of her hand… hers was a gripping performance!”